Crafts4Crafters, Jan 2014

One of the things I've noticed since I started blogging is that when I get fatigued, writing is the first thing to go. I've had a busy couple of weeks ( by my standards) and haven't been up to writing much. My last entry was going to be about the Crafts4Crafters show held at the local exhibition centre, Westpoint, at the end of January. I'll start there.

The plan had been for myself and Katharina, her mother, and our friend Julia to go together. Due to oversleeping on someone's (cough, Kat) part, we ended up going separately, taking two cars. This was ideal for me as it allowed me to take my electric scooter along. It would have been a squeeze if we had all gone in one car. I went with Kat's mom and the other two joined us a short time later. We had a great time at the show. I met Sara of Sara's Texture crafts and got some fibre from her. I had recently started following her on Twitter, and when I found out she was going to be at the show I made a point of searching out her booth. The multicoloured on the right has sparkle fibre in it, which I've never spun before. It will be interesting to see how it spins up. The other is a Hebridean which will probably go into a cushion or something else not close to skin.

I also bought a little bit of yarn. I wasn't going to shop for yarn, as I already have plenty, but I saw a booth selling Drops yarn at a very reasonable price and have been wanting to try the brand for some time. I got these two little beauties. I thought about getting the same colourway, but getting different colourways and playing with the two skeins together seemed more fun. It's a 4 ply wool, and with two skeins I might be able to make a little shawlette that will dance with colour.


My last purchases were entirely naughty. I have a perfectly good handbag, but passing a leather stall, I couldn't help but look in. The vendors were Leatherwise, and they currently have no online presence, so their goods are only available at shows like these. They design and handmake all their leather bags, sourcing the leather from the furniture industry locally. I was incredibly impressed with the quality of the craftsmanship and the designs of the bags, and finally settled on one I think I can live with for a long while. This one is large enough to hold my things as well as a small knitting project.

We were just about finished when we found the booth I bought from last. Despite already having bought a new handbag, I saw a stand selling all kinds of satchels, craft bags, and baskets. Several of the baskets were on sale for £5 each - large, lined baskets. They were being snatched up like the bargain they were, so I got one myself. I already own one large basket, but it's full of fibre, and with the lining I thought this one would be a good addition to my collection. Now that I've seen how useful it is, I'll probably line my other big one as well. I currently keep my crochet work in the new one.

I also got a new project bag. I've been admiring the plastic cloth (not sure what it's really called) bags with the gorgeous prints that everyone seems to be carrying around these days. I've looked at buying one myself - places like Cath Kidston do them  - but they were minimum £25 and I just didn't want to part with that kind of money when I already had bags I could use. I saw this one on sale for less than half that, and snapped it up. Roses are a favourite flower of mine, so the design is apt. It's roomy enough to hold yarn enough for two sweaters, my box of accessories (box'o'tricks) and a few crochet hooks for fixing problems.

Overall, we had a very nice day, and stayed at the show far longer than I've stayed anywhere, including Alexandra Palace last October. I was dead tired by the end of it, even with using the scooter, but it was worth it.

Tricks and Tips - Tension

As promised, the next instalment for beginners is here. Tension is one of the most important things in both knitting and crochet. However, it is a little complicated, and can easily be misunderstood. The first part of tension lies in how a crafter holds their yarn. The tighter you hold it, the tighter your stitches will be, and the less yarn you'll use. If your stitches are too tight, however, they will be extremely difficult or even impossible to work.

The second part of tension involves how many inches per so many stitches and rows you get when you work with yarn. This is called gauge. You can see what gauge you should be getting when you look on the ball band (the band circling or attached to a skein of yarn.) If you look in the middle, between the washing instructions at the top and the weight at the bottom, you will see a pair of crossed needles with a size under them, and next to that a square that reads "10 x 10 cm, 30 rows, 22 stitches." This means that when you knit 22 stitches over 30 rows with 4 mm needles, you should get a square that measures 10 cm - which is also 4 inches.

Using this information helps you figure out if the garment you're making will the the right size. While many things don't require gauge swatches, such as scarves, blankets, shawls and stoles, other things, especially sweaters, really need them. The pattern will include the required gauge/tension. It will be in the form of 10 cm/4 inches = x stitches over y rows, usually similar to the gauge on the ball band of the yarn suggested in the pattern.

To find whether your personal tension matches the tension required to make your garment the right size, you need to take the  yarn you're going to use and the needle size suggested on the ball band, and work a gauge swatch, also called a tension square. To the right, you will see some of the ones I have done; the one in yellow was knit in the round because it was for a hat that was to be worked in the round. Keep in mind that when you knit your square, you want to knit it either flat if your project is flat, or in the round if your project is going to be in the round. A person's tension often varies between these two styles of knitting.

The swatch is easy enough to work. You cast on the number of stitches the tension of the pattern suggests, and knit the required number of rows. You then cast off and measure the swatch. It's strongly suggested in most circles that you also wash it, to give a good indication of what the material will do once it's been put through what the finished garment will go through. If it measures 10 x 10 cm (4 inches square) then you are set. But what if it doesn't? If it is too big, go down a needle size. If it is too small, go up a needle size. You may have to try a few times to get the right size needle if your tension is not typical to what is on the ball band, or if you are using a different yarn to that suggested in the pattern. For example, a DK weight yarn called for in the pattern might be slightly thicker or thinner than one you decide to use instead, and so the tension will be slightly different.

A note on yarn substitution: if you are going to use a different yarn to make a project than one suggested, it is a good idea to use one of the same weight. Using a different weight yarn will change the math of the pattern, as you will need to cast on more or less stitches for a thinner or thicker weight of yarn. While you would need to do a tension swatch to know how many stitches you'd need to cast on and work, this is a little more advanced and shouldn't be tried until you are very comfortable with how patterns fit together.

I will be the first to admit that I don't always swatch. I know my tension usually matches that of the ball band, and I can alter things if I find my pattern going awry while I am knitting. This comes with practice and confidence. I still get caught out, however, and have had some catastrophes in my time. I tend to swatch for sweaters and hats for the most part, and always when I made things for other people. Tension swatches are a good idea for making sure things fit and look their best on the intended wearer, and should be used accordingly.